#EVO-9650 and 3DStudio
8 messages in this thread
John,
>> editing deck
In a "typical" video editing suite … you have source decks and typically one
"editing deck" for recording. If you only have one source deck and one record
deck this is refered to a "cutss-only" editing system…. with 2 decks … they
call that an A/B roll system. When you assemble a video, you would typically
lay down timecode on the tape master (kind'a like formating the tape) and you
would record the video from the source deck(s). This is typically done with
what is called an "insert edit". This refers to the fact that the tape
timecode and control track (the formatting information) which resides on the
bottom edge of the tape will not be over written and therefore the original
formatting will be preserved. Like when you write information to a formatted
disk, the underlying format information remains, while the information changes.
Also, each channel of audio and video can be recorded separately or together ..
as you wish.
The EVO-9650 has limitations in its ability to serve in this capacity … as a
recorder in an editing suite. That is why its price is less than the AG-7750
and the JVC 822 .. these are true editing recorders as is the EVO-9850.
The bottom line is that if you want the ability to expand (and you will), the
EVO-9650 is not the best way to go. I'd get a real editing recorder. If you
don't see yourself in the near to mid-term going beyond recording animations ..
then the 9650 will be OK.
Ang
Hey Angelo– Is it still true that Hi8 lacks the ability to do video follows
audio insert editing? Can the 9850 record audio and then insert video WITHOUT
screwing up the audio? That was always the drawback to HI8 format.– the lack
of linear audio tracks independent of the video. I know Hi8 could insert audio
(PCM) without screwing up the video. If this drawback has not been overcome I
would never recommend a Hi8 editor.
>> video … audio .. video
Don,
I'm not sure … since I don't sell much Hi-8 .. I haven't shaken it out. I
sure there are others on the forum who actually have one .. (not just bash'em
<g>)
Ang
Angelo:
How's this sound for a "Dream Rental System"
. Two Ampex CVR-70 Betacam SP Recorders
. One Ampex CVR-75 Recorder
. Grass Valley Model 100 Special Effects Switcher
Interfaced with Ampex Ace 25
and Grass Valley
AMX-100 Two Channel Audio
Follow Video Option
. Four Panasonic 9" B/W Monitors
. One Ikegami 14" High-Resolution Monitor
. Two Anchor Speakers
. Waveform Monitor/Vectorscope
Rental per day 1400 Rental per week 4200
System Options:
. Sony BVT-810 TBC for BVU-870 for Slo-Mo…..Day 250 Week 750
. Cyron IV Character Generator Day 700 Week 2100
. Abekas A-52 DVE Day 600 Week 1800
. Abekas A-42 Still Store Day 450 Week 1350
. Quanta D500 Character Generator Day 350 Week 1050
. Abekas A-51 Day 500 Week 1500
This is a mobile A/B roll editing system in rack mounted, ATA
approved shipping cases……… Well Enough Dreaming.
Before you ask:
Their Pricing on the Panasonic AG-7750
Per Day is 150 Per Week is 450
I would like to know if these guys are in the ball park for this
kind of equipment. They seem "Real" High to me.
James M. Murphy
Seems real reasonable to me. Especially the 7750 price. Have animation
controller and framer buffer .. will travel … eh?
Ang
High? Are you kinding. In south Florida, the guys down here want $450.00 per
day on the AG-7750 alone. Gezz, rent the AG-7750 and ship it down, make a
profit, and still beat the $450.00 a day price.
PMJI, but I had to let you know.
Carl
Hey, thanks Angelo! Good reading.
Nik
Thanks Very Much!!!