#Artistic Rights?
9 messages in this thread
I have a friend who might compose music for my demo tape and animations.
What steps should be taken to protect his rights to the music? Also, how much
freedom is there in regard to copyright, when doing a parody? Can anyone
suggest a book that deals with these topics?
Thanks, Bruce
When doing a parody you had best get permission from the copyright holder or be
prepared to spend a large amount of money defending your actions in court. It
may not come to that, but, without permission you should be prepared for that
eventuality. Best choice, get your friend to compose original music.
I'm sorry, I didn't make it clear what I was thinking of doing. My friend
would compose original music, and I was wondering what steps should be taken to
protect his rights. Since it is only a demo tape would a copyright have to be
applied for, or is it implied or can it just be stated as copyrighted in the
credits?
As far as the parody, that was seperate idea. I was wondering how much
freedom a person has to parody, lets say, a TV program or a Film. What do
people who do comedy parodies have to do to make sure they are not stepping on
the copyright?
Bruce
Bruce,
Your friend does not necessarily have to do anything formal to preserve
a copyright on his music, but it's always a good idea to put a copyright notice
on any score, demo tape label, etc., so that you will be able to prove willful
infringement (which allows recovery of enhanced damages under the Copyright
Act). Registration is not required to have copyright protection, but it _is_
required if you intend to bring an infringement action. Registration is not a
very difficult or time consuming process.
As for parodies, the U.S. Supreme Court recently decided a case
concerning a parody of Roy Orbison's "Oh Pretty Woman" by (I think) 2 Live Crew
entitled "Big Hairy Woman." Parodies are entitled to some protection as "fair
use," the same way that reviews and comments on a copyrighted work are
protected. The principle criterion seems to be whether the parody will affect
the market for the original work, that is, will it tend to reduce sales of the
original item. As with all fair use issues, the result turns on the specific
facts of each case.
It sounds like you have an interesting project. Good luck.
Darron
Darron,
Thanks for the advice to register the copyright. I guess I'll have to see
what he thinks (if he actually decides to do it). As for the parody, I was not
interested in doing a musical parody, I don't have the skills. I'm interested
in doing a short parody of a TV program or Film.
When Saturday Night Live, or a comedy troupe does a parody of a well known
program, what things do they have to consider in order to stay well away of
copyright problems?
Thanks, Bruce
Bruce,
The U.S. is a signatory to the Berne Convention on Copyrights, so, in the
US and most rest of the world (those countries that also signed on to the
Berne agreement), the moment that an intellectual creation makes the
transition from mind to matter it is protected by copyright. Whether this
is a theme that is played on a piano the first time or scored for 100
musicians, it is protected.
Now, the proof of creation is up to you. Some people will mail a copy of
the work to themselves via certified mail (and not open it when they get
it) to have a dated proof that the work was created no later than that
date.
Beyond that, you can seek protection via your country's specific copyright
laws. Assuming you are in the US, the Copyright Revision Act of 1976
states that you can register your work with the Copyright Office. Offhand
I don't remember the fee … something like $25, you can probably pick up
the necessary forms at your local library. Registration gives you
specific rights if your work is stolen or used without your permission.
If registered, you can sue the infringer to cease and desist using your
creation, sue for actual and compensory damages. If your copyright is NOT
registered you can only sue for actual damages (and cease and desist).
As to the parody, as someone else mentioned, the estate of Roy Orbison
denied permission to 2 Live Crew to record (and distribute) their version
of Pretty Woman (a highly obscene, and to me, unfunny parody). When they
did, the Orbison estate sued. The ruling was that 2 Live Crew didn't need
permission to parody the song. However, do you want to be target when
someone attempts to get that precedent changed? Al Yankovic gets
permission for all of his parodies (Michael Jackson even lent him sets and
props for his video parodies of MJ).
So, to wrap up, a copyright is automatic upon the physical manifestation
of the work. Take some action to positively document the date … a date
stamp on the disk file isn't good enough.
If you're going to do a song parody (that will be widely distributed) you
might want to think about getting explicit permission. If it is parody of
a TV show or movie, you probably have a lot more latitude, just don't use
actual program or character names.
-sja
Steve
Thanks for the advice!
Bruce
Even though I'd agree with Steve, didn't 2-live-crew or some other RAP ('s
not even music) group win a suit against them over butchering a song
because the judge decided it was a parody? That seems to set a precident
that may be hard to overcome. However, someone without the bucks to hire
lawers probably wouldn't want to risk it.
Robb
I didn't state my question clearly, please see my note to Steve.
Bruce