CompuServe Thread

#Artistic Rights?

9 messages in this thread
#41943From: Bruce G. ConsidineJun 15, 1994 8:23 PM
I have a friend who might compose music for my demo tape and animations. What steps should be taken to protect his rights to the music? Also, how much freedom is there in regard to copyright, when doing a parody? Can anyone suggest a book that deals with these topics? Thanks, Bruce
#41947From: Steve AhlstromJun 15, 1994 8:54 PM
When doing a parody you had best get permission from the copyright holder or be prepared to spend a large amount of money defending your actions in court. It may not come to that, but, without permission you should be prepared for that eventuality. Best choice, get your friend to compose original music.
#41961From: Bruce G. ConsidineJun 16, 1994 8:50 AM
I'm sorry, I didn't make it clear what I was thinking of doing. My friend would compose original music, and I was wondering what steps should be taken to protect his rights. Since it is only a demo tape would a copyright have to be applied for, or is it implied or can it just be stated as copyrighted in the credits? As far as the parody, that was seperate idea. I was wondering how much freedom a person has to parody, lets say, a TV program or a Film. What do people who do comedy parodies have to do to make sure they are not stepping on the copyright? Bruce
#41973From: Darron C. KnutsonJun 16, 1994 2:20 PM
Bruce, Your friend does not necessarily have to do anything formal to preserve a copyright on his music, but it's always a good idea to put a copyright notice on any score, demo tape label, etc., so that you will be able to prove willful infringement (which allows recovery of enhanced damages under the Copyright Act). Registration is not required to have copyright protection, but it _is_ required if you intend to bring an infringement action. Registration is not a very difficult or time consuming process. As for parodies, the U.S. Supreme Court recently decided a case concerning a parody of Roy Orbison's "Oh Pretty Woman" by (I think) 2 Live Crew entitled "Big Hairy Woman." Parodies are entitled to some protection as "fair use," the same way that reviews and comments on a copyrighted work are protected. The principle criterion seems to be whether the parody will affect the market for the original work, that is, will it tend to reduce sales of the original item. As with all fair use issues, the result turns on the specific facts of each case. It sounds like you have an interesting project. Good luck. Darron
#41986From: Bruce G. ConsidineJun 17, 1994 12:12 AM
Darron, Thanks for the advice to register the copyright. I guess I'll have to see what he thinks (if he actually decides to do it). As for the parody, I was not interested in doing a musical parody, I don't have the skills. I'm interested in doing a short parody of a TV program or Film. When Saturday Night Live, or a comedy troupe does a parody of a well known program, what things do they have to consider in order to stay well away of copyright problems? Thanks, Bruce
#42002From: Steve AhlstromJun 17, 1994 2:04 PM
Bruce, The U.S. is a signatory to the Berne Convention on Copyrights, so, in the US and most rest of the world (those countries that also signed on to the Berne agreement), the moment that an intellectual creation makes the transition from mind to matter it is protected by copyright. Whether this is a theme that is played on a piano the first time or scored for 100 musicians, it is protected. Now, the proof of creation is up to you. Some people will mail a copy of the work to themselves via certified mail (and not open it when they get it) to have a dated proof that the work was created no later than that date. Beyond that, you can seek protection via your country's specific copyright laws. Assuming you are in the US, the Copyright Revision Act of 1976 states that you can register your work with the Copyright Office. Offhand I don't remember the fee … something like $25, you can probably pick up the necessary forms at your local library. Registration gives you specific rights if your work is stolen or used without your permission. If registered, you can sue the infringer to cease and desist using your creation, sue for actual and compensory damages. If your copyright is NOT registered you can only sue for actual damages (and cease and desist). As to the parody, as someone else mentioned, the estate of Roy Orbison denied permission to 2 Live Crew to record (and distribute) their version of Pretty Woman (a highly obscene, and to me, unfunny parody). When they did, the Orbison estate sued. The ruling was that 2 Live Crew didn't need permission to parody the song. However, do you want to be target when someone attempts to get that precedent changed? Al Yankovic gets permission for all of his parodies (Michael Jackson even lent him sets and props for his video parodies of MJ). So, to wrap up, a copyright is automatic upon the physical manifestation of the work. Take some action to positively document the date … a date stamp on the disk file isn't good enough. If you're going to do a song parody (that will be widely distributed) you might want to think about getting explicit permission. If it is parody of a TV show or movie, you probably have a lot more latitude, just don't use actual program or character names. -sja
#42054From: Bruce G. ConsidineJun 21, 1994 11:14 AM
Steve Thanks for the advice! Bruce
#41956From: Robert LittleJun 16, 1994 12:16 AM
Even though I'd agree with Steve, didn't 2-live-crew or some other RAP ('s not even music) group win a suit against them over butchering a song because the judge decided it was a parody? That seems to set a precident that may be hard to overcome. However, someone without the bucks to hire lawers probably wouldn't want to risk it. Robb
#41962From: Bruce G. ConsidineJun 16, 1994 8:50 AM
I didn't state my question clearly, please see my note to Steve. Bruce