CompuServe Thread

#Demo Reels…

4 messages in this thread
#185005From: Paul Sanford [LVL5]Aug 14, 1995 5:55 PM
PMJI, from a thread in IPAS: >> People reviewing demo reels are looking for a few good animations, >> they don't like to watch >3 minute reels. Having sent you two different 3-4 minute reels, with some of the animation over a year old (filler), I feel a little embarrassed. <g> Obviously someone in your position can grasp a lot quickly from a tape. However, I feel there are valid reasons for going the extra length under certain circumstances… In the market I'm in, there just aren't very many artistically-inclined production people (at least from looking at what gets produced here), let alone 3-D artistically-inclined ones. Then there are the clients themselves. I've actually gotten jobs based directly on the crappiest part of my tape! Should I remove it?!? I never know what's going to impress someone! (I learned early not to criticize my work in front of clients, unless they begin the critique.) More importantly, many folks in town just can't seem to make the creative leap from a few sample animations to what I can do for them. Or worse, they expect me to create their animation for nothing, to see if they like it. Their rationale is that I've never done *exactly* what they need. Then they complain because the preview isn't as impressive as a finished piece, and often back out. Well, I might as well use the preview on my reel, I figure. Having a wide variety of animations helps fend off the potential weasels. On my reel I use a great song off of a friend's latest CD release. I tell myself it's God's will for my animation to match the length of Dan's song. <bg> FWIW, your probably sick to death of Bones Pro cows, but boy do they ever impress ad agencies with clients in the dairy industry! <g> On another note, and this is a general rant to the forum as a whole, is it common for California companies to ask for demo reels and never acknowledge their receipt, then ignore follow-ups? Again, maybe I'm burning out people in your position by my demo's length. And maybe my skills aren't up to snuff, although I've received very favorable feedback from people outside of my region too. I've sent reels everywhere else in the country for freelance work, and always get a reply, and quite often an offer. Is it just the higher volume in California? How is a person to know what is or isn't cutting it on their demo tape from an insider's viewpoint if they don't get their work acknowledged, let alone critiqued? (Rant mode off) Paul S.
#185011From: Bruce . PearsonAug 14, 1995 6:23 PM
RE: No ack from demo tape submissions. Many more of my demo reels have disappeared down black holes after being sent out than have fostered return inquiries. You can call and leave messages on voice mail till your blue in the face and these lord-high mucky-muck stooges will never get back to you. Personally I'd rather have someone tell me to look for wark at McDonald's <g> than to get no response at all. All I can say is "what goes around, comes around" and karma will catch up to these birds some day. On the other hand, those that do get back to you are ofter helpful and encouraging, even if they don't have something for you right now. These guys are jewels and greatly appreciated. Anyway, don't feel like the Long Ranger. I've been looking for work since Jan and haven't yet connected. I just keep hacking away. BP
#185051From: MARTIN G FOSTERAug 14, 1995 8:34 PM
Paul, having a longer than 5 minute reel wouldn't disqualify an animator, but it doesn't need to be that long to get the job. Sometimes there's a tendency to put everything on there, even old sub-standard stuff, to fill up the tape. That's a mistake. >> is it common for California companies to ask for demo reels and never acknowledge their receipt, then ignore follow-ups? << I don't know, but I think it is. FWIW, I've sent lots of reels out before and heard nothing. I just figured if they didn't respond they weren't interested. That's not a problem for me. MetroLight's official policy is to send a follow-up "form" letter to prospective artists, but what would that tell you? It certainly isn't a detailed critique of your material. There's no way it would be possible to do that for everyone – it would be a full time job in itself. I/we may have slipped up on several occasions in sending the form letter and I apologize for that. In your case I haven't had a chance to review your second tape but will this week – that's why I haven't responded to your e-mail yet. Sorry about the delay and I will give my comments by e-mail. Martin
#185228From: Paul Sanford [LVL5]Aug 15, 1995 3:32 PM
Martin, >> FWIW, I've sent lots of reels out before and heard nothing. I just >> figured if they didn't respond they weren't interested That's my usual stance, but last month I was mailing tapes out to California during the Unabomber scare… there was some question as to whether or not they'd even get through. (No, they weren't ticking!) >> Sorry about the delay and I will give my comments by e-mail. I received them, thanks very much! I certainly don't *expect* a critique from people in your position, but thought that since we had chatted a few times here and in e-mail you might make an exception. <g> Again, thanks much. 🙂 Paul S.