#Questions from training
8 messages in this thread
Yost Group,
We're in the middle of a training session with Mark Gearhard. Our group
has posted some questions on the ATC section 13 that you may be interested
in reading. Hope to see you there. We really enjoy the IPAS demo. Great
stuff. Keep up the good work. Bye.
Pat:
I hope you're giving Mark a good workout. We tried to burn him out here at
the Sony show in Hollywood, but he seemed to manage, somehow. But, he did
have a flight that arrived in NJ at 6:00am or so. Is it true that he can't
sleep on planes? <g>
Tell him we all say hi from out here, and thanks for helping make the show
a success for all of us.
Greg Pyros
Hiya Greg,
Any interesting news from the Sony show?
– G
Gary:
The best part of the Sony Animation Showcase was seeing every major
software animation company locked in one little room together! Everyone
from TDI to Wavefront to Alias and XAOS and SoftImage and Electric Image
and even the Toaster and Digital Arts, all tied together with Sony's Laser
Disk systems, Hi-Def TV, and and awesome editing suite (all Sony, of
course!)
Going out to the same video system is the great equalizer. I think that
the big boys (read: expensive systems) have always had an advantage in that
most of 3D Studio output they see, and compare themselves to, is either in
Flics recorded 'live' to VHS, or, at high end, 24 bit recorded to SVHS.
Color pallettes ar not Legal NTSC, lots of bleeding, tearing, etc. And for
a long time, the 'trained animators', of course, were using these systems
for years. And they always recorded to 1" tape, or Beta SP, or Laser Disk,
because the $30,000 in video equipment is nothing when you have spent
$150,000 to $250,000 in computer hardware and software.
Now we have 'little old 3DS', running on $4,000 hardware, available to
anyone who wants it. It reminds me of the early days of desktop
publishing, when everyone thought that they were experts because they
simply had the tools, and we saw the most amazing trash being published.
Another interesting sidenote: spoke to a few of these hi-end systems
people, and most of them have 3D Studio at home!!! They were very
interested in the IPAS routines for themselves, when they thought no one
else could hear them asking! <big grin>
So seeing 3DS output right there, in front of their eyes, to the same
hardware, AT THE SAME QUALITY as these expensive systems, and able now with
IPAS to do just about anything the others could do at a fraction of the
price, should do wonders to 3DS sales! All the networks, Disney, etc. had
people there to see the programs and the output.
With the view from the floor,
– G(reg)
Greg,
Darn! I should have gone after all. I had just been up at Disney Studios (I
can name drop with the best of 'em <g>) and the guys up there told me it
was very interesting. I was foolish and decided to beat the traffic rather
than drop in at the show. Well, I didn't beat the traffic or go to the
show! Drat and double drat…..
At least we got your review of the show here.
Thanks for the info from the show, Greg. It's the kind of thing that I
would've loved to be at, but my schedule last week (with getting the IPAS
stuff out the door tomorrow) just wouldn't allow it. I got a quick note
back from Kevin Blaker about it yesterday, and he mentioned that a few of
those very large production houses were actually going to start using 3DS!
Fun stuff. Thanks again,
– G
Gary:
IPAS out the door tomorrow???? Meaning Nov 10, 1992??? Thanks for the
warning, I will immediately cancel all meetings, phone calls, etc. for a
month! Having seen most of the routines up close and personal at the show,
it is going to be a great learning experience! And look out to any of our
competition (on ANY platform) who does'nt have the whole set!!
Greg Pyros
You better believe it… But tomorrow is… TODAY! We're definitely
supposed to start shipping today — at least the stack of orders that are
going out UPS red-label (which I believe yours is one of… eh?). With any
luck, you'll get a package Wednesday. Keep me posted (of course).
– G