What's new?
Since the PAR has been out for almost two months now many have
experienced the ups and downs of its performance. As far as
animation is concerned I would find nothing to complain about. As
far as frame grabbing from live video with betacam SP Y/C input my
customers have found nothing to complain about. I can see some
artifacts on long VHS input though. When the MAX finally does ship
it will have some tough challenges to meet with its cost differential
to the PAR and the A-65. When I listed all the features of the PAR
and its street price to have those features and then compared to the
MAX and the street price to have the same features I found a much
more complicated system at roughly three times the price of the PAR
from a multitude of suppliers. The PAR only required two suppliers–
HD and DPS. I support the Greg's sales approach because I do not
print my own money, I do not have unlimited funds, I must justify
every expense with a ROI followup, and I while I respect those that
fear the mention of "street price" on this forum I find comparisons
based on MSRP worthless, ludicrous, and an exercise in fantasy land
economics. I do not disagree with your reasoning to buy the MAX
system, especially if you already own the Ill pro, the EISA platform,
the proper HD controller, then you might be in a good position to
acquire the balance for the MAX. Those of us who already own a
targa+, or AT Vista would be wasting our money on a MAX system. I
agree that the PAR does not replace the frame buffer but I can tell
you from experience that the PAR can serve as a convenient substitute
to view test frames from your editor, or keyframer. Frankly, John,
If I had the budget for a MAX, I would have strapped myself a little
bit of financing for an A-65.