#DPS/charge for output.
13-Jan-94 02:53:54
Sb: #75867-#DPS/charge for output.
Fm: John Tissavary 71054,15
To: John N. Jordan 72772,1271
Greg's point is very good. When you get the Exabyte you'll still
have to pay to get stuff to video. With the PAR you've got unlimited
(theoretically) taping. The choice, however, is not that simple. If
your market demands BetaSP quality then the PAR won't do except as
preview device, you'll still need a way of getting to high end tape,
and the Exabyte is the most cost effective I've found. But it sounds
like you would do best with a PAR and inexpensive S-VHS deck.
I'm really not sure what the best place is to get into this buisness
as all seem to have drawbacks/advantages. I'd say the SF Bay Area is
the capital of multimedia and has a LOT of higher end production
facilities as well as video and film production, plus tons of
computer related stuff. On the other hand that means there's lots of
competition and that can make job finding tough. My only
recommendation is to stay away from rural areas at first. Once
you've established a career and client base then you can move to east
bumble you-know-what Oregon like Gus Grubba <g>.