LensFX and Bones
28-Jan-95 17:11:44
Sb: #149805-LensFX and Bones
Fm: Don Landis 71673,3612
To: Aaron W. Ostler 74672,127
>>Does this mean that before you bought 3D Studio, you brought prospective
clients to your home and forced them to watch you tinker around with a demo of
the program.
Now don't be silly! If you would have read all of my post you wouldn't have
made that statement. Remember my example of NDUMP? Some programs, including
IPAS routines are very special and some have application as a productivity
tool. Those that are special like Pannello would require a client's funding
before I would put it in place here. He would be shown a demo of the look in
order to decide. The decision to buy something like Python, on the other hand
is a productivity tool that I bought to enhance the efficiency of the modeling
session and based the decision on it's ROI by the nature of the many times I
could use it as I do scripted animation logos often. Magic was purchased by
one client who brought over a video of a TV show and wanted me to create this
effect. I showed him a demo of the IPAS and he agreed to pay my price which
bought the IPAS.
>>I find it tragic and just a little amusing that you are forcing your clients
to watch IPAS demos, then depend on their reactions to determine your own
purchasing decisions.
Your perception of this process is a bit twisted. I'm sorry if you feel
insulted by my having clients view demos of the routines like Panello, Magic
and others. I would like to have them here for use too but you have to
understand one thing. I'm in this to earn a living. My clients are my bosses
since I own my own business. THEY decide the worth of these special effects to
THEIR projects. Not me. All I can offer as advice to you as a developer is
give me production value that will knock the socks off my clients in an effect
and he will pay the price. If I show him a good demo of the product and he
yawns and says what else do you have? No sale will be made. All I can do as a
post facility is keep current on what effects are available so when he asks I
can show him what it will look like. When I showed my one client the demo of
Magic he said how fast can you get it. If the price was 5 times he might have
said what else do you have. If I had someone else paying for this business
rather than my clients I might be able to afford every trick and effect and
software on the market but the reality is I only buy what is sought after by my
paying customers.
Aaron, I've been on this forum since the intro of 3DSr2 and have offered
several suggestions for IPAS routines. Two of these suggestions were taken
seriously by Schreiber and were subsequently offerd. I immediately bought
both. Why, because I had an immediate requirement for these by my clients.
Greg Pyros knows how I work. I had a customer that required an old movie look
to some video. It was purchased within 4 hours of signing a work order for the
effect. The day before I had no idea I would be buying the Old movie IPAS.
Nobody is forcing you into a career of an IPAS developer. I guess analyzing
the buying public is not one of the more pleasant tasks you must do as a
developer. I feel for you because I hate this part of the job too. But, it
goes with the territory.