#Broadcast animations
08-Nov-94 22:25:02
Sb: #134499-#Broadcast animations
Fm: Don Hogan 75552,747
To: maura clover 76430,1414
I thought that I would share a few thoughts that I had regarding you
message. I am an Architect doing modeling, rendering and animation
and have been in a similar ( yet different ) situation with a client
wanting to broadcast an animation. Unfortunately, I couldn't even get
to VHS then, so it became a moot point. But now, I can, and have
learned that I really wish I could do even better, but oh well…
Anyway. I digress.
>I have a 26 sec. animation…
I also wonder why the studio can't do the dub.
>(1) can a Betacam SP dub of a VHS tape…
The dub will will indeed be "broadcastable", but the real issue is
whether or not the client ( and equally as important, you ) will be
happy with the final result. I would guess that the dub will show
little generational loss if it is played on a high quality source
deck when recorded to SP – a higher quality format anyway.
>(2) if the client should call …
Again, its as much a matter of what you will be pleased with. If you
had originally rendered to TGA files, it would be an easy thing to
do; but if you're like me, its a FLC from the very beginning. So, the
question might be, would it get any better in 24 bit color? You could
render a few widely spaced frames, compare them, and perhaps it will
still look as good as intended. I would definitely compare the two
before comitting to re-rendering.
>(3) is the 640×480 size a problem …
You might check it on a 13" TV as well, just to see what a smaller
screen is going to crop. If it is ok on the VHS tape, it shouldn't
change when it gets dubbed. The "safe zone" can be considered to be
about 10% fo the screen area – which didn't mean a thing to me when I
read that. But, I have been ultra-conservative and limited it to
about 25 to 30 pixels all the way around. So, say 580 x 420 as the
smallest working area.
>As you all may have guessed …
There is a color palette for NTSC in AniPro in the asoft forum, it
should be a good starting point. Finally, I would at least try to
mention to the client that the SP format is an additional service,
and try to encourage them to spend a little more _if_ it is in their
best interests – the quality of single frame recording to an SP deck
is undeniably better, but it is an excessive (+-) cost.
I wish you the very best and hope that it opens up avenues to more
exciting work!