#PAR News Flash!
John, One additional clarification regarding the practice of assemble editing.
First a definition of the control track: The control track is a
series of pulses at the edge of the tape that controls the speed of
the servo on the video head. The control track is like the sprocket
holes on film but as electrical signals rather than holes. The
practice of assemble editing from a non stable source such as a non
TBCed tape playback is that its sync will be unstable because it is
generated by a motor and therefore will lay down unstable control
track to the recorder. What the recorder will do is like a film
where the sprocket holes are not evenly spaced. The tape will change
speeds at wierd times. Generally speaking, if one needs to use
assemble editing then the playback source must be TBCed or from a
crystal controled sync source such as the PAR or a camera. Otherwise
use the insert mode where the control track has been previously laid
down by a stable source. In addition, when using two different
playback sources that are stable in the assemble mode they must also
have a common sync or there will be an abrupt change in tape recorder
speed at the edit points.
I'm sure you know all this but others could probably benefit.