#WFM V-Scope Techniques
07-Feb-95 22:32:45
Sb: #2687-#WFM V-Scope Techniques
Fm: Wayne Cole 76370,621
To: Steve Bennett/SYSOP 76702,1071
John, I doubt it. The camcorder resident bars are usually never in the optical
path, but generated electronically into the digital stream that is then a/d 'd
to tape. That way there is certainty that (within the limits of a/d s in the
camera) you are getting standard value bars.
A compsosite video in I think is routed direct to the record heads without
hitting the optical path either. This is, BTW generally how you "balance"
multiple cameras for a multi-cam shoot or live switched multi-cam show. Run
bars to a DA, then to each camera. Now you have one source of bars. Use the
camera timing/phase controls (assuming you have them) or the return feed proc
amp to adjust each camera's feed so they look the same (actually as close as
you can get them since they almost never look the same, cable runs and other
considerations being largely uncontrollable…). But if you short circuit the
process and record at the camera, and haven't balanced that camera's output
with say a WF/VS or by comparing to other cameras' output (and using phase and
timing to get them looking alike) then you are left to color balance in post
and you may find you don't have enough latitude on the proc amps to fix it if
the cameras are REALLY off (like each is off center in the opposite direction).
Shooting bars instead has too many varialbes that you can only get "ballpark"
control over – light temp, flux, lense coatings, age, camera white
balance/black balance accuracy, chip health, etc. And if you are doing it
outdoors its even worse.
BUT!!! If there are no internal bars for the camera, or no common bar source
you can balance to, shooting bars is the next best thing since at least there
is SOMETHING with which to tweak the TBCs in post to get as close as you can to
"same color rendition" from two different cameras. But I seriously doubt that
if you took a test signal generator's bars to the video in of the camera and
recorded it, then took a shot os a colorbar card from a test card set that they
would look the same.
Never The Same Color (NTSC) is not an undeserved moniker :^}
wmc – via Autopilot!