CompuServe Thread

#VCR's for Anims

20 messages in this thread
#14313From: randy auschratDec 28, 1991 1:22 PM
I am considering purchasing a VCR onto which I can record my animations on. I found some that allow single frame recording that go for about $700 Canadian. I'm currently looking at the Mitsubishi U55 and a Sony 686 (or something like that). Can anybody tell me if these machines are good enough to do decent recordings. Also, will I need other equipment? Thanks.. Randy.
#14333From: John PendergrassDec 29, 1991 1:20 PM
Randy, I *seriously* doubt that you're going to find any system that allows 'single-framing' your animations for anyplace within screaming distance of $700 Canadian…. I have the Mitsubishi U80, and it is not capable of it. It can do clean EDITS, but not single framing. The JVC 10000 will get you 3-6 frame accuracy on a frame by frame basis, still not good enough for single frame recording, and it's around $1500. My checking indicates that you need to be in the 4-6000 range for true 'single-frame' recording these days. Hopefully this will drop as more features become available on prosumer type decks. 'Single frame' recording implies that you record each frame individually. Then you move the VCR to the next frame, and record that, etc. Are you sure you're not confusing this with 'frame accurate' search? My U80, for instance, is able to jog shuttle to any individual frame, at which point I can make a clean edit to new material. This means I can splice together several shorter anims (real time, playing on the Amiga) into a longer work, with no noticable breaks. But I still cannot 'single frame' my 24bit images into an anim, because the U80 is not capable of it. I would add that the U80 (and many other good VCR's) are quite capable of spicing together shorter anims into longer works very nicely. Just make sure that the VCR has a good flying erase/insert edit capability, and the ability to jog-shuttle or otherwise pause at your edit point. Hope this helps. If you have found a $700 single frame recorder, I want to know! 🙂 –jp–seattle–
#14334From: randy auschratDec 29, 1991 3:02 PM
I thought that would be the way it goes. $700 seemed just to good! I do know that these VCR's have a flying erase head. Although I don't really know what they do exactly. Oh well, looks like I'll just go and buy a 'normal' VCR then. To bad though. I really wanted to do some 24 bit anims.. Thanks very muchly for your info. Randy.
#14406From: Peter GreciDec 31, 1991 8:11 AM
if you are gonna splice anims together get a VTR with Flying Erase heads so ya can do nice seemless edit's s
#14423From: randy auschratDec 31, 1991 8:52 PM
Well, I've found several that have Flying erase heads, but the machine retails for only about $700. Would these machines be suitable? Randy.
#14442From: Peter GreciJan 1, 1992 1:15 PM
$700 was the cheapest ya could find a VTR with flying erase heads for? Is it a SVHS at least? For editing try to get a VTR with a Hard Wired Jack for editing instead of relying on Infrared Remote Control type editors I use a Sony EV C3 8 mm myself with their Control L ports
#14443From: John PendergrassJan 1, 1992 2:08 PM
Peter, getting an editing VCR with hard-wired jacks is a good idea, but what are you using to control the VCR with? The editing jacks (as I understand them) allow one VCR to control another, or a camcorder to control a VCR, etc…. so that one can toggle on record on the other for easier editing. I know that you can use other remote controls with the jacks too, but how? Answering myself, I know that the MediaPhile stuff can control Sony hard wired jacks; is that what you use? It's pretty expensive though, (so it appears) if all you want to do is control the VCR similar to a remote (compared in cost with an IR controller, anyway)…. I'm curious what you're using…. –jp–seattle–
#14463From: Peter GreciJan 1, 1992 9:24 PM
I'm using a cable that plugs into the Printer Port and then the Control L port and use a prg called Cyber VCR(from the Atari ST, haven't converted it to Amiga yet) I also use a Somy RM 100 Edit controller
#14468From: John PendergrassJan 1, 1992 10:14 PM
Thanks. Yeah, if one can get wire control (as opposed to IR) even if it's just duplicating the remote, that has gotta be better. I'm going to try to get the same effect via IR control, but will have to watch things like line-of-sight, etc… thanks for the info. –jp–seattle–
#14540From: Peter GreciJan 3, 1992 12:11 PM
Glad to help ya Dude Midgard Graphics, Creators of Quality Animation s
#14426From: John PendergrassDec 31, 1991 10:14 PM
Randy, don't discount the usefullness of these VCR's, even though they will not do single frame. A good VCR with clean editing capability (ie. flying erase head, jog shuttle, etc) makes editing together shorter anims a snap. If you're willing to construct your 1 minute anim out of 10 short six second segments (because of memory constraints), then it is a lifesaver. I'd sure like affordable single frame recording too! –jp–seattle–
#14494From: randy auschratJan 2, 1992 3:49 PM
Thanks for the info (everybody included), it helped out quite a bit. I'll have to look into this VCR a bit more before i decide to buy. I was also wondering if it is possible to manually do the single frame recording or if you absolutely need a controller. I was reading an Amazing Amiga (or something like that) and they had a controller for only $500! That seems like a huge amount of money to me for something that helps you record. I can't believe that people have some that cost thousands of dollars. Anyways talk later…. Randy.
#14542From: Peter GreciJan 3, 1992 12:17 PM
That Frame Controller that costs $500 only works with VTR's that have RS 422(not 322) ports, such as the Panasonic AG 7750(costs about $6000) The reason the Controller is Sooooooo $$$$ is because of the Precision work neccessary for Single Frame animation.If ya just wanna string short anims together seemlessly ya might look at that new gizmo from Gold Disk(about $175) which works with Control L and S ports as well as any VTR that has a Infrared Remote
#14419From: Vic WagnerDec 31, 1991 6:27 PM
John, Do you mean that you _manually_ jog the U80 to the correct frame? How do you synchronize the computer (to start the animation) and the U80 when you are 'adding' a 'piece' to an already existing anim? The 'splicing' seems a bit more complex than you've stated.
#14429From: John PendergrassDec 31, 1991 11:04 PM
How do I sync the U-80 and the Amiga to splice anims? Good hand coordination! 🙂 You're correct that the syncronization between the U-80 and the computer is tricky, but I've found it doable. 1. Put the U-80 in record/edit pause (on the frame you want the edit at). When the U-80 is in the 'insert edit' mode, it takes off pretty quickly when you tell it to start recording again) 2. Get the anim ready (ie. click to play) 3. Take the U-80 off pause, and about .25 seconds later click to play the amiga anim. I found that's about the delay between clicking to record and the machine actually starting to record. Of course it's a 'feel' or 'rhythm' that I have with it too. I'd say that I get within 2-10 frames accurate edits pretty consistently. That's sufficient I find, since I try to plan my edits at transitions in the anims. I don't find it terribly complex at all, actually. Oh yeah, you gotta be sure to record the tape (video black) before you do the 'insert edit' stuff, or else the U-80 won't have anything to sync to for the editing. I'm planning on now using the AirLink to automate this process…. ie. have it automatically put the U-80 into edit mode, and start the program immediately after I click to start the anim. Should remove the 'human' error I add to the process. I *hope* to get consistent 0-4 frame edits that way…. think I can, anyway. –jp–seattle–
#14576From: Charles BlaquiereJan 4, 1992 12:26 AM
John, thanks for the information on splicing animations. I have a Sony 676 which I hope to use to do just that. I'll post my first experience here later this month, when I actually get the VCR and my Supergen gets repaired. Blaq! – via Whap!
#14661From: Roy S. LauferJan 5, 1992 5:28 PM
John, As an aside, I too am an owner of a Mitsubishi U-80. It's a sturdy machine, but my model has alot of the button's decals rubbing off. I don't have this problem with any other of my machinery. Have you found any problem with your U-80?? -RSL-
#14683From: John PendergrassJan 5, 1992 11:01 PM
I can't say that I've had a problem with my U-80 in over three years now. Just performs flawlessly for my purposes. No decals rubbing off either, that I know of. 🙂 The tape handling seems awfully sturdy for a 'consumer' machine, if you ask me. I know a good studio would beat it up more in a month than I have in years, but still, no glitches, etc… just do an 'insert edit' and it looks real clean. Are you using yours for anims at all? How do you find it? –jp–seattle–
#14882From: Roy S. LauferJan 11, 1992 12:51 PM
I've never been able to do single frame 24 bit animations because, as good as my U-80 is, it isn't a single frame recorder. I have done occassional work using Broadcast Titler I & II, and other simple animations. I wish that single frame recorders were available at less than professional prices. All things considered, I'm glad that I bought my U-80, I just have this idea that someone back in Japan forgot to protect the chasis' decals with "that last layer of clear paint". Oh well… it's nothing that I can't live with <g>. -RSL-
#14887From: John PendergrassJan 11, 1992 6:53 PM
I've never been able to do any 24bit stuff with the U-80 either. 🙁 But I never expected to do so, cause it's definitely not a single frame recorder. On the other hand, I have been able to record some 'pseudo-24bit' animations, by using the FireCracker, and playing regular amiga anims over the top of it. It makes all the difference in the world when the background is a full color, high res image…. you can get away with a lot less in the foreground. Hey, check out Disney the last 50 years! That's what they've been doing. –jp–seattle–