#L200P vs L300/RIP-2
6 messages in this thread
The company I work for is considering upgrading thier Linotronic hardware. They
currently have a Linotronic L300/RIP-1 combination and are considering one of
the following two options:
1) Dump the L300/RIP-1 system and purchase the L200P
2) Keep the L300 imagesetter and upgrade to a RIP-2
I personally feel the L300/RIP-2 combination would be the better choice because
of the greater capabilities in handling complex documents in addition to having
higher resolutions.
I am pitted against a salesman who believes anything new (L200P) must be the
greatest thing to date. The L200P is twice as fast as our current hardware, but
would it be better than a L300/RIP-2 system?
Thanks in advance! Jim
The L-200 isn't better than the 300…it's the same basic equipment &
hardware, with a somewhat simpler configuration. Linotype introduced the L-200
to replace the low-end market (where the L-100 sat), not as an upgrade to the
300.
The RIP-2 is SUBSTANTIALLY better than the RIP-1… it will increase your
performance. Remember, though, when you compare the speed of the two machines
(L-300 vs L-100) that the L-300's higher resolution and detail takes more
processing time than it's younger brother…but you get much better results
(you really can't do good color separation work on less than a L-300).
-Scott Leyes
Thanks Scott, that's the way I had it figured. It's nice to hear it from other
pr people.
BTW do you know a guy name Rick Valasek? If so we have a mutual friend. Jim
Lewis
Yep. Rick just mentioned your name today.
-Scott Leyes
The L-200 is fundamentally different from the L-300 in "basic equipment and
hardware," since it uses an infrared-light laser diode instead of a red-light
gas laser. Because of the longer wavelength of infrared, and poorer imaging
quality of infrared-sensitive photo materials, the new generation of diode
laser machines produces a fuzzier image (a blurrier spot) than the gas laser
machines. The inherent sharpness limitations of the L-200 make it a poorer
choice than the L-300 for producing halftones and screens. An L-300 with the
latest RIP is much "more" machine than an L-200.