CompuServe Thread

#MusicNotation & PgStrm

36 messages in this thread
#74405From: Lee GranthamOct 24, 1992 9:32 AM
Hi everyone-I have a A2000, running Prowrite & PageStream in a reasonably satisfactory way (though I'd like to have it a tad faster, of course…) I'm looking for a way to produce what musicians call a "fake book"–a line of music (treble clef, melody) over which one indicates chords. I don't think I need a full-blown music DTP program, but maybe I do. Are there any fonts available for PageStream which give flat, sharp, and natural signs? Any comments from people who have tried a similar project would be welcome. On the other hand, if there's a cheapie music publishing program that you've had good results with, I'd be interested in that as well. Thanks—-Lee in Largo, Fl
#74417From: David ArtOct 24, 1992 12:48 PM
Lee, You might look into Dr. T's Copyist series, although I'm not certain how they fit in pricewise for you. There used to be a demo available for it online in the AmigaArts forum, but I just looked for it and wasn't able to locate it. If you think that you might be interested, I can search my old floppies to see if I have a copy. David
#74418From: Jim VentolaOct 24, 1992 1:12 PM
How about The Copyist from Dr. T. It comes in Apprentice and Professional (supports postscript) versions. I have seen used copies of the Apprentice version selling very inexpensively. My guess is it would be much wiser in the long run if you intend to sell the fake book to go with postscript (Adobe has a font for this) so as to make it readable. Otherwise you could just use Deluxe Music Construction Kit and some screengrabber to get a bitmap and add stuff with Deluxe Paint, I guess.
#74631From: Jim DuttonOct 26, 1992 12:12 AM
I have Dr. T's, The Copyist DTP (professional), and it will NOT print on a normal 8 1/2 x 11 inch paper. Its output was set up for music staff paper which is a little bit longer. The Copyist manual states that it can create EPS output with TIFF headers "that some DTP programs can use", but when I try to import it into PageStream 2.2, it doesn't work. Just EPS comes out as an extremely large "X" within a rectangle. I haven't had the time to get in touch with Dr. T's yet, but don't think they will be too interested in trying to make any changes. The Copyist IS good for the tons of notational elements it has, but it is NOT the easiest animal to work with. The output IS publisher quality, but again, you have to deal with a logical page overlap if you are using 'standard' fanfold paper. The DMCS output is LOW quality – not really suitable for a fake book. Perhaps a 'screen grabber' such as Snap could provide a better print, but you would have to do each screen manually, and would probably never be able to get an entire page. Hopefully your request for a musical notation font will work out for you. Please let us know if it does. Real World:southern Illinois,USA Internet:ca0008 at siucvmb.siu.edu
#74695From: Christopher TolmieOct 26, 1992 10:53 AM
Jim, EPS import into Pagestream can result in a box with a large X in it. If there is no graphic file header included with the file, or it is in a format that Pgstr doesn't handle that is all you'll see, a large box, it doesn't mean it isn't working but that it is working and there is an EPS image in the box. If you have a Postscript printer (or using POST), resize the box using constrain or edit the (x,y) percentages of the size and print it to the Postscript printer. You should get the musical page in a reduced size that will fit on your 8-1/2 x 11 page, or set the page to print legal size and adjust the EPS box to fit it. Chris
#74821From: Jim DuttonOct 27, 1992 1:03 AM
Hmmm – so a large X isn't all bad. OK – my next problem is that I don't have a postscript nor laser printer – just a lowly 24pin. At the same time, I WOULD like to be able to SEE the "graphics" so I could touch them up, but if all I can do is resize the output borders and print the result, then The Copyist -> PageStream connection is of little value, since The Copyist has its own laser/postscript printer driver. Real World:southern Illinois,USA Internet:ca0008 at siucvmb.siu.edu
#74840From: Michael GerardOct 27, 1992 9:17 AM
Jim… If you import the EPS in to ProPage and save it out as a clip, then import it into PageStream, you will be able to both see and edit thte image… and you should be able to do the same thing with SoftLogik's Art Expression when it is released (If it released <g>).
#74852From: Christopher TolmieOct 27, 1992 10:07 AM
Michael, I don't understand your last comment about EPS import into PPage. "…If you import the EPS in to ProPage and save it out as a clip, then import it into PageStream, you will be able to both see and edit the image…" I didn't realize that PPage interpreted EPS files and then rasterized them for display on screen so you can save them as CLIPS to be used in Pagestream, or PDraw for that matter. Chris
#74859From: Michael GerardOct 27, 1992 10:53 AM
Chris… I'm sorry! I meant to type ProDRAW, _not_ ProPage! That line should have read: "…If you import the EPS in to ProDRAW and save it out as a clip…"
#74851From: Christopher TolmieOct 27, 1992 10:06 AM
Jim If you don't have a postscript printer and " – just a lowly 24pin", take a look at the POST PostScript interpreter here in our libraries. You can output the pagestream page to a disk file and then have POST interpret that to your printer or screen or as save it as a pic.IFF or all three if you have enough memory. I use POST ALL the time, it works great! You can't print directly to POST like the PRT: device but maybe some interprising Amiga programmer someday will writer a POST printer driver. Who knows, it could make a wonderful addition to the Amiga DOS. Look in LIB 6 of AmigaUser for: POST17.LZH/Bin Bytes: 210944, Count: 109, 09-Apr-92 Title : Post 1.7, a PostScript interpreter Keywords: POST 1.7 POST17 ALYWARD POSTSCRIPT INTERPRETER POST is a software based PostScript interpreter, presently running on the Amiga. Post uses the Arp library (V39+), primarily for its file requester. You will need at least a megabyte of memory, more for high density printer output. Chris
#75237From: Jim DuttonOct 30, 1992 2:45 AM
Chris – thanks for the tip on POST – I will have to take a look at it. Real World:southern Illinois,USA Internet:ca0008 at siucvmb.siu.edu
#74864From: Michael GerardOct 27, 1992 11:19 AM
Jim… If you import the EPS in to ProDraw and save it out as a clip, then import it into PageStream, you will be able to both see and edit the image…and you should be able to do the same thing with SoftLogik's Art Expression when it is released (If it released <g>).
#74421From: Michael GerardOct 24, 1992 2:15 PM
Lee: I've just downloaded a MAC TYPE I postscript font that does music notation. As soon as I can get it converted to PC TYPE I I'll upload it to the the library. It should be 'plug-n-play' with PageStream.
#74462From: Christopher TolmieOct 24, 1992 9:16 PM
Michael, I have the Adobe musical notation typeface Sonata, it doesn't work at all with Pagestream and some of the characters don't show up in PPage, nor do they all show up in PDraw, (all are the latest versions too). Chris
#74464From: Richard S. Rose,M.D.Oct 24, 1992 9:54 PM
Chris, I have Sonata on my list of typefaces to buy soon. Have you asked SoftLogik what might be the problem between it and Pgs? Rich
#74531From: Christopher TolmieOct 25, 1992 12:16 PM
Rich, No I didn't ask Soft-Logik about the Sonata family. I just wish that our Amiga DTP publishers had adhered to the already established ANSI code system being used by the MAC DTP publishers and the standard ANSI code chart. It would have been much easy to transfer from platform to platform. [sigh] They'll of course blame C='s character mapping, and tell me that their version of Sonata works fine! Well if I wanted Image Club fonts in instead of ADobe I would have bought them, but I like Adobe, they are by far my favorite software publishing company. I just got a FREE update for TypeAlign from them with an offer to buy one of five families of fonts offered for $49! I guess I'm gonna get the No Fret Family, list is $349 I think or $329. How can you turn down a deal like that? The other four families I either already have, except for one and its another script face, I have plenty of them and its list value was around $185, so I'd be better off getting the more expensive one or the $49 offer. chris
#74553From: Richard S. Rose,M.D.Oct 25, 1992 4:28 PM
Chris, No argument about Adobe quality. However, I recently called Image Club about trouble I was having with some of their fonts. They readily admitted that there had been problems in the past. They apparently have updated all their packages very carefully using Fontographer (or maybe Icarus – I can't remember). They sent me a replacement of every single disk I had bought from them in the last 2 1/2 years! They looked up my account, faxed me a list for me to confirm, and the new disks were here in three days! All the new files look very good. No problems at all. The character mapping appears to be 'standard.' No more of the occasional discontinuities in the curved lines of certain typefaces. I really can't see any deviation from 'Adobe quality.' Of course, the variety is not as wide, but the quality is certainly there. Rich
#74588From: Christopher TolmieOct 25, 1992 7:56 PM
Rich, It sounds like Image Club has improved its self. I had heard stories about them in the past, and was concerned about compatibility of their stuff. Adobe had always been very helpful (well for MAC/IBM) and I do like their stuff! So tell me, which Family of typefaces would you buy, the Adobe Wood Type 1 pkg# 122,List $185, 6 typefaces (have it already), Nofret pkg#219, List $370, 6 typefaces (don't have) Park Avenue pkg#25 $95 1 typeface (have it), Poppl-Residenz, 2 faces #254, 2 faces (don't have, its a calligraphic face) or Rockwell 2 pkg# 163 List $145 (have it). So for me its either Nofret or Poppl-Residenz, I like both, and have similars of each, well in weight and somewhat in the styles, like Shelley and Berthold for scripts and Minister looks a bit like Nofret at first glance. I don't know, I'll probably go with the larger package, I just can't turn down an offer to buy another family for so few ($49) dollars. Does Image Club make offers like that? Chris
#74870From: Richard S. Rose,M.D.Oct 27, 1992 1:46 PM
Chris, Image Club does have package deals. In fact _all_ their deals are package deals. Sorry, can't help you select a type package ($49 is burning a hole in your pocket, huh?). That kind of thing tends to be a matter of personal taste, and whatever font happens to be needed at the time to get a job done. Rich
#74858From: Soft-Logik Tech SupportOct 27, 1992 10:28 AM
You don't understand what the problem is. It has nothing to do with the Amiga's character mappings. There are two types of font encoding. We (and most people) support Adobe Standard Encoding. This is a standard in which a certain set of characters are always in the same place. This is the way PostScript fonts started off. This is what PageStream uses. Some newer fonts use font specific encoding. This is basically a way to stuff more and different characters into a PostScript font. Only thing is, this varies from font to font and PageStream (and other Amiga programs) don't read the font specific encoding (yet). So the characters in the fonts are not all found and they're not all in the right place. Michael Soft-Logik
#74893From: SyndesisOct 27, 1992 6:22 PM
You need to make the distinction between ASCII, ANSI, and encodings. ASCII is a definition that matches byte values 0 to 127 with characters (A..Z, a..z, punctuation, etc.) along with some control characters. ANSI – well, I think you confused ASCII with ANSI. There is an ANSI escape sequence and encoding standard, but I don't see how it fits into this discussion. (A variant of ANSI is used in Amiga console windows, or on "ANSI" IBM BBSes.) Then there's encodings – a more general concept that maps byte values to glyphs. In PostScript, when characters are printed, there's first a translation from byte values to character names. For example, an 'A' character is mapped to a name /A, and ',' maps to /comma. So in PostScript, they've added a level of indirection that uses glyph names instead of raw byte numbers in fixed positions. A PostScript font, then, consists of nothing more than a dictionary of entries named with these "/comma" style names. The encoding happens elsewhere. Some of it can occur in PostScript, some of it occurs in the application software, that might map a certain key sequence to a certain byte value, which maps to a certain glyph, depending on the encoding. The "Adobe Standard Encoding" is a recommended map between byte values (0..255) and glyphs. Any Amiga screen font might have a different encoding – character 65 might not be 'A'. This is especially true in the upper and lower ranges of byte values, which might be carry-overs from other computers. For example, you see public domain screen fonts that have Mac glyphs in Mac encoding positions, not Amiga encoding positions.
#74915From: Christopher TolmieOct 27, 1992 9:19 PM
John, I guess my ASCII/ANSI knowledge needs to be improved vastly. I found that some of my .AFM files were munged and this was the root of my problems getting Pagestream to display the special character set. Somehow, PPage was able to use those same .AFM files to properly generate the characters when fontmanager in PPage generated the compugraphic files. Your description of encoding is appreciated, thank you. Chris
#74986From: SyndesisOct 28, 1992 9:43 AM
Just wait til programs start using Unicode instead of ASCII. I think there's some 18,000 glyphs and glyph names in that encoding system – all the symbols in common use in mankind. Another interesting aside – Type 1 fonts were/are limited to 256 glyphs, but maybe PostScript Level 2 fixed that. Keep your chin up, you're in the trenches when it comes to DTP, and I still consider you an expert.
#75036From: Christopher TolmieOct 28, 1992 7:12 PM
Me, an expert? Oh contrare monseiur, [sp?] I understand what I need to do, but I get lost sometimes trying to explain it correctly while so many others get a chance to critique it. However, I am prepared to learn or relearn something, when its shown to be done a different way. As for the trenches, they're a bit mucky down here, and my hip boots are kinda dry rotted to say the least. I'd like to know what the differences are in the two versions of .AFM files I was using. One version did not properly work the special character codes with Pagestream and the other version works fine. The one version that didn't work completely was generated by Metamorphosis, BUT, PPage used the same .AFM to make its compugraphic files and they work fine and produce the special characters correctly. There is also a difference in file size averaging about 4K to the plus side. Chris
#75067From: Christopher TolmieOct 28, 1992 10:23 PM
John, Just to keep you updated, my latest Adobe font, straight out of the wrapper. Berthold SCript. Using the Adobe provided .AFM file is exhibiting the same problems that was found when using the Metamorphosis generated AFM files. The older Adobe .AFM files work OK with Pagestream, now it seems that not only do Metamorphosis Professional generated .AFMs don't work completely with Pagestream (special character like eacute), but the Adobe provided NEW .AFMs don't either. Go figure? It's a shame that Mirror Image went out of business, I spoke to him about making a GUI .AFM converter or adding it to MIFont, but it never happened. I wonder what was changed that broke Pagestream's ability to find these special character codes? Chris
#75099From: Richard S. Rose,M.D.Oct 29, 1992 12:58 AM
Chris, Adobe's .AFM files choke Pgs?! Uh Oh. That's bad. Are you talking about IBM Fonts or Mac fonts? Rich
#75147From: SyndesisOct 29, 1992 1:27 PM
I'm no Pagestream expert, I just fielded the question about encoding vectors…
#75148From: SyndesisOct 29, 1992 1:28 PM
By the way, I don't see how any application could screw up the reading of AFM files. The Adobe developer kit includes source code for that.
#74500From: Michael GerardOct 25, 1992 1:42 AM
Chris: I've got Lassaus (from the DTP forum MAC FONTS section working just fine in PageStream. I've no idea if it will suit Lees needs, but it is kinda neat. I'll upload it tonight to lib 6.
#74512From: Michael GerardOct 25, 1992 3:08 AM
make that library 13.
#74532From: Christopher TolmieOct 25, 1992 12:18 PM
I'll take a look at it, Library 13 you say? Ok, I'll do my bro/lib:all/age:1 like I usually do. chris
#74569From: Lee GranthamOct 25, 1992 5:49 PM
Thanks Michael & Chris for the input. One very basic question: I hven't used any but the standard-issue fonts with pagestream. I downloaded and unpacked them okay, but where do I put them? The PS font Drawer? The PGS font drawer? Another drawer? Sorry to occupy the forum's time with very basic questions, but that's where I am on the learning curve. Thanks again—Lee
#74582From: Michael GerardOct 25, 1992 7:29 PM
Lee: Actually, you can put them anywhere you like 🙂 They won't be recognized unitl you add them to the fontlist using FontManager. My suggestion is to create a separate directory for each of your type I fonts in a directory called TYPEI (or something creative) that is in the PSFonts directory specified in your PageStream GLOBAL PATHS settings. My pagestream directory structure looks like this: WORK:PageStream/PSFonts/<here's where my font sub-dir's go> ^ | This is where my CGTriumvirate, TYPEI, etc. go. The, in the TYPEI drawer, I keep subdirectories that contain each of the typeI files (AFM, PFB, etc) for each font. Now, that's the easy part 🙂 For each font you add, you need to use the FontManager from within PageStream to ADD that font to PageStreams fontlist. Look at the PgS manual and try it. If you have problems, let us know!
#74586From: Christopher TolmieOct 25, 1992 7:55 PM
Lee, Pagestream is versatile enough with its font management that you can put those fonts anywhere you want, and using the GLOBAL MENU | Set/Save Paths option or directly in the font window by selecting Font Manager you can enter and save the path to point the way to the directory you placed those fonts. You can move them in and out of your pagestream font path. Use them now, move them out when no longer needed for the next project. Reduces time loading and memory used too. No need to be sorry, that is what this message area is for, questions and answers on Word Processors and Desktop Publishing. I'm sure Michael from Soft-Logik will probably answer your question too, when he checks in like he does from time to time, but we like to toss out some help ASAP. Chris
#74670From: Lee GranthamOct 26, 1992 6:55 AM
Thanks Chris, thanks Michael; will try that out and report on progress. ——–Lee
#74857From: Soft-Logik Tech SupportOct 27, 1992 10:25 AM
Sonata uses font specific encoding I believe. Neither PageStream or ProPage can handle that correctly at this time. Michael Soft-Logik