#AAS compression problems
5 messages in this thread
I can import my FLC's in AAS just fine. When I want to save them as MS RLE,
they completely braek up and look like rubbish. In fact, the only codecs that
seem to work well are the Autodesk ones, and these are completely unsuitable
for playback. Every other codec is a radical compromise on quality. The whole
idea for me is to get my FLC's into an avi format for use in other products
such as Director, etc. Without being able to do this, aas seems a waste of
time. As well, we us AAPro to do lots of colour cycling. When importing these
colour cycling animations into aas, all we get is a range of frames of the same
image. If we NUMPIC these to BMP's and import this sequence into aas,
everything works fine. Why? Why can't I save my FLC's to avi using the MS RLE
codec without getting artifacts over the entire screen? Please Help!!!
Thanks!!!
>> I can import my FLC's in AAS just fine. When I want to save them as MS RLE,
they completely braek up and look like rubbish. In fact, the only codecs that
seem to work well are the Autodesk ones, and these are completely unsuitable
for playback.
hi. 🙂 you're correct… the Autodesk codecs are not intended for playback.
they are 24-bit lossless so that there is no degredation for further editing
sessions. as to MS RLE, that codec is what it is. some codecs have varying
degrees of lossyness. you may wish to check out some of the other codecs too.
Indeo Cinepak aren't that bad.
>> waste of time. As well, we us AAPro to do lots of colour cycling. When
importing these colour cycling animations into aas, all we get is a range of
frames of the same image. If we NUMPIC these to BMP's and import this sequence
into aas, everything works fine. Why? <<
it has to do with the file formats themselves. once you numpic out to BMP
images, the actual register values for each frame are hard coded into the
palette portion of the file (BMP). when these are imported… there is no more
"cycling" (additive palette treatment of delta), only the physical register
data of each frame.
-dave
When converting FLC to AVI with MSRLE compression, set the quality
to 100%, turn off the Data Rate check.
If your animation has many redundant frames, or small interframe changes,
you should set the keyframes entry higher.
>> When converting FLC to AVI with MSRLE compression, set the quality to 100%,
turn off the Data Rate check. If your animation has many redundant frames, or
small interframe changes, you should set the keyframes entry higher. <<
kewl. this kind of info is invaluable. 🙂
-dave
Great stuff! Haven't tried it yet but it sure beats running around in the
dark!!. Thanks!!