#Forensic Animator Assoc
6 messages in this thread
If someone is doing it wrong it will keep the rest of us employed ! Attorneys
will need one expert to bring up problems with the others. You don't think that
they come up with technical questions by themselves? Oh come on, we can smile
once in awhile. What kinds of standards are you interested in? you have brought
up a good question I will have to watch this thread for awhile.
john
John,
Don't kid yourself. The more professional animators there are, the more
business there will be. I'm breaking new ground every day. I just don't want
someone to go running for dollars and mess-up the market. Technical questions
should verify what we are doing right. Not what we're missing.
Rick Lapidus
Video Production Marketing Inc.
John,
Can I add you to the interested list?
Rick
You are right, I wrote a paper last year (published at Feb. 1994 SAE
in Detroit) dealing with how an animation should be documented. In
general, the committee I chair in SAE has the point of view that
every animation has "primary" and "secondary" objects. The
difference is in how important they are to the opinion being
presented. For instance, in a two-vehicle intersection
collision…the cars are certainly primary objects, the building on
the corner is probably a secondary object…only used to help orient
the audience to the intersection. However, if the opinion concerns
how this building was a visibility obstruction, then the building
becomes a primary object too.
The primary objects should be documented thoroughly, any motion should
be documented with x,y,z,yaw,pitch,roll for EVERY frame…NOT JUST
KEYFRAMES (there was actually some disagreement in the committee on
every frame..). The secondary objects have a different level of
documentation, because they are not the key elements in the
animation/visualization.
Would it be possible to get a copy of this paper?
-Tyler Colwell
Sierra Analysis Group
<<If someone is doing it wrong it will keep the rest of us employed !>>
–cringe– I don't agree. See my response to Mark Crigler.
-TC