CompuServe Thread

#Amiga/Video production

7 messages in this thread
#6378From: Kip KedershaMar 2, 1991 3:12 PM
Hi Steve….I have read with great interest many of your discussions regarding the Amiga and Video. I had the opportunity today to check out the Toaster in operation! Whew! Very impressive! I am in the process of setting up a Post-production system and will be using the 2000/Toaster configuration with the A30 board. I would also like to use SONY 9800's (2) and a SONY 9850 for the A/B editing S SP system. From what I can tell the Amiga will easily handle all of my CG needs in addition to switching. My question is regarding an A/B editor. I am looking into the RGB COMPUTER brand AmiLink/VT…are you familiar with it? Will this system perform all my A/B editing needs? Therefore making the AMIGA the one single production piece (excluding the VTR's, Cygnus TBC's and other peripherals), if so, I am ecstatic! Maybe someone here is using the current configuration or similar? I am ready to drop $50,000+ and I want to make sure I am not forgetting anything. Also, it was recommended by my local dealer, to pickup DPIII, Broadcast Titler II, Broadcast Art Department Pro w/conversion. What about Sherrif Systems ProVideo Post? Anything else you can think of would grant you a crown in heaven!! <grin> Thanks alot!! kk
#6393From: Steve Bennett/SYSOPMar 3, 1991 12:22 AM
I'm not really familiar with A/B editors, so can't help you there. As for software, there is such a huge amount out there to choose from! I haven't had a chance to play with it by myself yet, but I've seen a very impressive demo of a titling package called Scala you might want to look into. Otherwise, lets open this out to suggestions from the peanut gallery… <grin> –>Steve Bennett
#6397From: Kip KedershaMar 3, 1991 7:35 AM
Ok sounds good to me….I've dropped a line over in BPFORUM as well… Come on people….someone must be Hot N' Heavy into this as well… I'z be a waitin'…………. kk
#6412From: Mark CretcherMar 3, 1991 6:53 PM
Kip, The Amilink is the only Editor I know of for the Amiga. I doubt *although I dont know for sure* if you would have very much success trying to multitask a toaster and an editor on the same machine. I know for a fact that ProVideo Post will not multitask so forget that one if you want an all in one workstation. If you are thinking about a toaster, that will pretty much take care of your titling and paint needs. The problem I have with the Amilink System is that it requires a V-Lan module for each machine *at about $2500 a pop* so unless you're dead set on using the Amiga as the edit controller, you can probably do better buying a dedicated A/B editor and using the Amiga for Switcher, CG and Paint. I use a Convergence editor. I also have a CMX Edge for sale CHEAP! It has a weird user interface (all soft keys) but its a good working three machine edit controller, if you have the right machines for it. I have Sony 5850's and they require too much modification or I'd definately use it instead of the Convergence. Mark C.
#6437From: Kip KedershaMar 4, 1991 8:50 PM
Hmmm….they claim it will do it….setup the Edit and the back to the ToaToaster screen….are you saying that it does not do that…that it does not work at all…or more specifically that you need a V-LAN? RGB told me the setup would cost $5995 + $250 for software for an A/B system. I will probably be going to RGB in a few weeks, so I will check it out 100%. How much do you want for the CMX EDGE? I will be using 9800/950 setup.
#6485From: Mark CretcherMar 6, 1991 5:51 PM
Kip, I have no personal experience with this proposed set-up, only speculation. If they say it works, I'm sure it does. I still feel *personally* however, that unless there is a way to initiate a preview without going to the Amilink screen, toggling screens for every preview, trim, perform etc. would be tedious. I use my amiga for list management as well as titles and graphics and I'm always forgeting to toggle my screen, inserting a beautiful image of my edit list where my graphic was supposed to go. But I'm pretty spaced sometimes! My opinions are based on the pace I have come to expect from an online editing situation, I realize that may not be a problem for everybody. Also, don't get me wrong, I think it's great that Amilink exits. I just think if I was interested in going that route I might consider writing an extra computer into the budget (a 500? does it need slots?) I'll sell my Edge for $1000, it will control your 950, I don't know about the 9800. It has 2 BVU800 parallel interfaces and 1 BVH1100. The 950 will run on an 800 card, I don't know what parallel connector (if any) 9800's have. You're machines do all have an address track, I believe, so that takes care of one of the problems I have. I'll be interested in hearing what you learn from RGB. Mark C.
#6449From: Roger HandMar 5, 1991 2:44 PM
I would also recommend a program called Animagic. Although the main selling point of the program is obviously the great special effects it can generate, I use ANIMagic at least half the time simply for its capabilities to alter the timing and palette of individual frames of an anim. Formerly, I would write a script using a presentation program (such as The Director), to load individual IFF files, set display timing for each frame, do a dissolve or wipe to the next frame, etc. Pretty much by accident I hit upon the trick of saving the frames all together as an anim in DPaint, loading the anim into ANIMagic, and adjusting the timing of individual frames. It's a much easier and more interactive process than using a script. But the really good news about using ANIMagic for presentation control is that the palette spread feature can be used to fade screens to black, to smoothly fade an object in or out while an animation is running, to flash a "highlite" briefly on an object, etc. It's extraordinary how that single feature of palette spread has made such a huge difference in the look of my animations. The only other method I've heard of for doing this is using a rather difficult sounding method using HAM , but HAM, of course can't be Hi-Res. As far as transitions between scenes, or course, ANIMagic excels. You'll never be bored or dissatisfied with an effect — each one is almost infinitely customizable! The disadvantage is that, unlike Pro Video Post, the special effects calculations take quite a while to complete; you're better off setting everything up, checking the first few frames to make sure they're OK, and then knocking off for the day. There is a 68020 version of the program. Party, Roger