CompuServe Thread

#CD Writes

2 messages in this thread
#30313From: Nathan WahlMay 19, 1993 6:23 PM
Erik, If I may break in here… >SF recorders are going to be passe in the next year or two…< That's something I've been pondering lately. All of this 24-bit realtime stuff is interesting, but except for computer generated rendering, everything that either goes into or out of such a system will eventually enter the analog domain. Even the rendered stuff eventually goes to analog tape, at least until digital tape or some other media takes over in all of the hometown cable stations. I think that having a single-frame deck now is not really a disadvantage for later. The quality and durability that is by definition built into such decks is bound to be an asset for quite some time, and that applies to all areas of video production, not just recording frames from disk. Know any SFRs that don't have a use for other purposes? Know any truly good editors that can't SF? It's kind of interesting that all of the non-linear solutions today don't usually mention anything about what has to be done to get the data into and out of the machine; they're just really big on what you can do to it in the interim. I think (IMHO) that the source video and the final product are going to be seen on the 'standard' formats like Beta SP and such for quite some time to come. Passe, maybe. But valuable devices for right now and a long time to come. Just my (Nickel*40%). … Nate, Emerald Video. I Animate – because – I am a Nate!
#30323From: Erik FlomMay 19, 1993 6:53 PM
Thanks, good arguments, however the majority of the people on this thread don't have the immediate needs for the other 'features' offered by a high end recorder. The benefit of 24bit real-time playback is that you can use any recorder, and not worry about the added expense of decks that offer SFR. While good video recorders will continue to be important to the video production industry for the next few years, the majority of animators will probably soon find themselves outputting in digital format to avoid the hazards of composite encoding. I still stick to my guns, but I'll add a qualifier: "(For most producers of animation,) SF recorders are going to be passe in a few years." Keep On Toastin' Erik Flom